Can immigrants to Japan ever be accepted as Japanese? If you read the English-language internet on the topic, you will find a lot of people saying that it is impossible. That’s not what I’ve found.
A few weeks ago, I was at a rare in-office meeting at one of the groups I work with. The office was open-plan, so when I was introduced to a new member of the department at the end, she had been able to hear the entire meeting.
“Nice to meet you,” she said. “Your Japanese is very good.”
My colleague broke in.
“We’re well past that point. He is Japanese!”
Other things that people have asked me, or said to me, include:
“Have you naturalised?”
“Were you born here?”
“He looks foreign on the outside, but his heart is Japanese!”
“Your spirit appeared to me in a dream and told me that you are a reincarnation of Chikamatsu Monzaemon.”
…OK, maybe that last one is a bit odd.
So, why is my experience so different? I don’t really know — or, perhaps better, I really don’t know — but I can speculate.
Is it them? That is, do I associate with Japanese who are particularly likely to accept immigrants as Japanese? This is possible. The workplace mentioned in the first story is Jinja Honchō, the largest Shinto organisation, which is generally regarded as extremely conservative, right-wing, and nationalist. This is, of course, a simplification, but it is certainly not groundless. The other encounters all took place in rural Tōhoku, and none of those comments were made by people who know me well. So, do people just need to hang around more rural Japanese and conservative nationalists to get accepted?
That is actually a possibility. I remember reading somewhere that right-wing Japanese tend to see Japanese identity as a matter of legal citizenship, while the left wing are more likely to focus on heritage and culture. This does, of course, seem counter-intuitive from a western (particularly a US) perspective, but racial and immigration issues are one of the areas in which Japan is very different from the west. The lines do not fall in the same places at all.
Is it me? Well, I certainly don’t look “Japanese”, nor do I have any Japanese heritage. It is true that I have Japanese citizenship, speak, read, and write Japanese fluently, and have lived here for nearly twenty years, fully integrated into Japanese society. However, I am hardly the only immigrant who ticks all of those boxes. It is, I suppose, possible that none of the people who complain about never being accepted do have all those characteristics, in which case one or more of them might make the difference, but I have no evidence on that question.
Is it the standard? That is, does Japanese people chiding other Japanese people for complimenting you on your Japanese because you are Japanese not count as accepting you as Japanese? This is definitely a possibility. There’s all that tatemae stuff, after all. However, in that case I’m not sure what would count. I mean, accepting me as Japanese is one thing, but accepting me as a close friend, or as a member of a village community, is another. I think it would be difficult for an immigrant to be accepted as a full member of a village community, but that also applies to immigrants from other parts of Japan — it has nothing to do with whether you are seen as Japanese. I can’t really see how you can fail to accept “introduces them to other Japanese as Japanese” as proof that someone accepts a person as Japanese.
My experience, then, is that the Japanese, in general, are willing to accept immigrants as Japanese at some point, and I am not sure why other people seem to have a different experience. However, people with more complex Japanese identities do have a very wide range of experiences. Greg Lam has produced a very good documentary on this topic, which is now available on YouTube, and if you are interested in a wide range of experiences of being Japanese, I highly recommend it. (Full disclosure: I am one of the interviewees, introduced him to another of the interviewees, and also worked on the subtitles. I have also worked with Greg on a few other videos.)
Since I have been asked to do sensitivity/cultural reads a couple of times now, it seems sensible to set out what I think that involves, what I can (and can’t) do, and what I think it should cost.
What It Involves
I will not do your research for you. I expect to read a manuscript containing all the cultural details you want to include. You should be hoping that I will send it back with the comment “This is all fine. Well done”.
One exception is that I will, on request, come up with a small number of appropriate Japanese names for you. This is basically impossible for people who are not fluent in the language, but not that much effort for me.
I will comment on things that are mistakes, and things that look implausible but might be true in a particular case. In some cases, that means that I will ask for your source for something, and I may tell you that I think your source is unreliable.
I will comment on particular points that are likely to be offensive to a significant number of Japanese people. There are oversensitive Japanese people, and Japanese people who are not bothered by anything, so I will do my best to take a middle path.
I will also comment if there is an overall approach that is problematic. This may not involve any specific problems. An example would be the treatment of Japan in Shadowrun. It is, like every country in the game, dystopian, but that dystopia is based on American wartime (and post-war) propaganda about Japan and the Japanese, not on what Japan is actually like. If this sort of thing is a problem, it is likely that it can only be fixed by completely rewriting the manuscript, which may not be an option.
Which leads to my final point. It is up to you to decide what to do with my comments. You may decide that you want to be offensively inaccurate on a particular topic. As a specific example, the US consensus view of Yasukuni Jinja is offensively inaccurate, but you may decide that you do not want to offend your American audience, and that possible offence to Japanese people who are extremely unlikely to ever read your product is a price worth paying. Thus, I hope that you will consider my comments (it’s a waste of money if you don’t), but I do not claim the authority to require changes, nor will I make a public fuss if you choose not to change something. (Although I do reserve the right to say that I pointed something out but you didn’t change it if someone criticises my feedback on the basis of the final product.)
What I Can (and Can’t) Do
I am Japanese, and resident in Japan, so I can comment on things set in contemporary Japan.
I am fluent in Japanese (I have been paid to write in Japanese, and to give a lecture course on logic at a university in Japanese). This means that I can comment on use of Japanese terms.
I have a good general knowledge of Japanese culture and history, so I can also comment on cultural and historical aspects. I have a substantially better knowledge of the Heian period than of most others.
I am an expert on Shinto, particularly contemporary Shinto, so I can give you more comments on this topic than you could possibly want.
I am not an expert on Japanese martial arts or military history. It’s fine if they come up as part of the background, but if they are the main focus, I am probably not the best person to ask.
I am ethnic minority Japanese, and spent seven years or so serving on local government committees dealing with the issues faced by non-Japanese residents (both as a non-Japanese resident, and as a naturalised Japanese), so I can comment on portrayals of ethnic minorities in Japan. Note that the Japanese situation is completely different from the US situation; ethnic minorities here face different problems. Thanks to my service on the committees, I do know quite a bit about the problems faced by ethnic minority residents of ethnicities other than my own. (I am also an immigrant, and thus can comment on the immigrant experience here — the other experience in this paragraph also applies.)
I am not Japanese-American, and I cannot comment on what they may or may not find offensive. It appears, for example, that a substantial minority of Japanese-Americans are offended by people not of Japanese descent playing dress-up in kimono, while the Japanese overwhelmingly think it is wonderful. Note that, if you are writing in English, it may be more important to avoid offending Japanese-Americans than to avoid offending the Japanese.
Japan is very diverse, just not in the ways that Americans normally mean when they talk about diversity. (Non-Asians make up less than 0.5% of the population; non-Asian Japanese less than 0.1%, and probably less than 0.01%. For fictional purposes, I don’t exist.) Greater Tokyo is different from Osaka is different from rural Aomori. Okinawa is particularly distinctive, and I am probably not the ideal choice for something set there. Similarly, while Hokkaido as a whole is sufficiently similar to the rest of Japan for me to cover it, I would not be ideal for something specifically concerning the Ainu. I may, nonetheless, be the best you can get.
I can comment on fantasy analogues of Japan, or science fiction or alternate history versions, based on the background outlined above.
On a completely different topic, decades of writing for and editing Ars Magica mean that I can still comment on things set in medieval Europe or a close analogue.
On the other hand, it is now around 20 years since I lived in the UK; I am no longer capable of doing a sensitivity read for the contemporary UK. (If you are more interested in the twelfth century, or even the late twentieth, I’m your man.)
What I Charge
A sensitivity read should be easy for the person doing it. If it isn’t easy, then you aren’t really qualified to do this sensitivity read. (If that happens, I will say so. If a manuscript goes deeply into a field of Japanese culture or medieval history I do not know well, it could happen.)
Thus, I think I should be paid about 10% of what the author is paid to write the manuscript. It is entirely possible, particularly in TTRPGs, that this will not be enough for me to do it. However, I want to support accurate and sensitive portrayals of the cultures I know, so it is worth asking, and I may take it on even if I do not think it is likely to be financially worth it.
A while back, I was looking through some archived files on my computer, and found a very old page for my website listing updates. It started with an update entry for 25th September 1995, for the Latin translations of the names of the Animal spells in Ars Magica Third Edition. The pages were on Geocities at the time, but they are still available here, and have never been offline. Thus, I have had a website for 25 years.
Which is longer than Facebook, Netflix, Google, and possibly Amazon (it’s a bit of a race with Amazon; we set up at about the same time).
It’s also more than half my life. While there are lots of people who have had an online presence for more than half of their life, most of them are somewhat younger than I am.
Citadel of the Red Sun is a one-act adventure for Torg Eternity, set in the Living Land. A wonder, a fragment of another reality, appears within the Living Land, and the player characters go to investigate it. As this is an adventure, I cannot say a lot about it without getting into spoilers for the plot, so I will hide that part from the front page.
As I may have mentioned before, these projects do not make very much money. They generally make less than I spend on the stock art I use to illustrate them (although Dean Spencer‘s art is really good, so I have no regrets about supporting him). However, I do find it really satisfying to complete the process of making these, and see the final laid-out file. So, that’s one reason for doing this as a hobby.