This post on the White Wolf forums has made me feel all warm, fuzzy and competent.
So, obviously, I have to tell everyone about it. Look! Look! I have a fan who isn’t my mother!
OK, more seriously, this is one of the things that makes writing worthwhile. The Guardian had an interview with Keira Knightley, in which she said that, if she believed the good stuff, she’d have to believe the bad stuff as well, so it’s better not to believe anything. While we’re in very different situations (like, she’s actually famous), I can’t agree with that position.
I think one of the things that’s hardest to learn, really learn, when going into a creative industry, or just being creative, is that you can’t please everyone. I mean, everyone knows that. It’s a clichÃ©. On the other hand, it’s remarkably difficult to really understand and accept it on a gut level. You can’t please everyone. That means, in concrete terms, that there will be actual people who do not like your work. In this age of blogs, mailing lists, and internet fora, there is a reasonable chance that they will tell you so. Possibly at length, and almost certainly in terms of objective failure.
All this tells you, though, is that you really can’t please everyone.
On the other hand, I’m not creative purely for myself. Some people are, but I want to give pleasure to, and maybe inspire thought in, at least some other people. I don’t think there’s anything wrong with creating purely for yourself, and I do it sometimes; there are files on my hard drive that are not intended for other people to see (and not exclusively because they’re about sex, either). But it’s not what I’m doing in the material that I have published.
Thus, the appearance of people, like the poster in the thread I referenced, who like my work to the point of describing themselves as a “big fan” of it, means that I have succeeded. Obviously, the more people who think that way, the better, all else being equal, but if there’s even one such person, I haven’t failed. I’ve merely chosen a minority form of expression. (If there were only one, I’d have failed commercially, but that’s a different issue.)
So, I think you can believe both the good and the bad. The bad tells you nothing new, just that you can’t please everyone. The good, on the other hand, does tell you something new. It tells you that, in at least some cases, you have succeeded. It tells you that your work was artistically successful.
And that, I think, is well worth knowing.
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