David Chart’s Blog

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  • Glosses and Commentaries

    I have just published a new RPG work. Glosses and Commentaries is a short supplement for Ars Magica Definitive Edition, released under the Ars Magica Open License. It is available for purchase on DriveThruRPG and on Patreon.

    In the medieval period, certain authors and texts were regarded as authorities on a particular subject (Aristotle, in particular). A lot of effort was devoted to glossing these texts, which meant adding information on the page to make the book easier to understand, and a lot of people wrote commentaries on them. This is not, however, something that the current Ars Magica rules really support — you might as well write a book as a completely original project.

    This may reflect contemporary thinking about the importance of complete originality, or it may just be a matter of trying not to make the rules too complex. I know that I was thinking the latter, but I may have been influenced by the former. Covenants includes some brief rules for commentaries and glosses, but they do not really encourage their creation.

    These rules do. The main tool they use for this is reducing the Source Quality of a book that is not a commentary, and has not been glossed. This makes the book worse as a source for study. The Source Quality of any book can be improved by glossing, up to the quality of a book under the standard rules, and a commentary can start with the same quality, if the author has access to at least six commentaries on the same work, as well as the work itself.

    While these rules do not specify authorities, they naturally create them, and the supplement includes an example, Bonisagus’s original text on Magic Theory. Bonisagus was, in this example, a good teacher and writer (as he really needs to be, given his historical role), but later glossators have made even better versions of the text available. Similarly, people have written many commentaries on his text, and so if a maga wants to write a book about Magic Theory, it is probably best to write it as a commentary on Bonisagus’s work, because it is easiest to get access to other commentaries on that book. Thus, the glossed version of Bonisagus’s book is an excellent text on Magic Theory, and most of the other good texts available on the subject are commentaries on it. This makes Bonisagus an authority, without including rules for it.

    It also makes it possible for a maga to turn her own work into an authority. Write a book, and then convince other magi to gloss it and write commentaries. Then have the glossed version and commentaries copied, and distribute them throughout the Order. It would be expensive, but it is another way for a maga to secure her legacy.

    If you want to try this out in your own sagas, the supplement is available for purchase on DriveThruRPG and on Patreon.

News Archive

My Writing

Fiction

I have written some fiction.

Academic

I have published a few peer-reviewed academic works, on philosophy and Japanese history.

Roleplaying Games

I have written for roleplaying games.

Mimusubi

Mimusubi is my project for non-fiction writing about Shinto. It has its own website.

Recent Blog Posts

  • Executive Abilities

    The abilities needed to execute an idea are very likely to be different from those needed to come up with it (a possible exception is knowledge of genres), but what about the talents? Do they have to be different as well? I think that we can have some overlap, which is a good thing; characters…

  • Photographs of Mayuki

    Sonoe took some more photographs of Mayuki. As usual, the text is all in Japanese, but you can enjoy the pictures. The last one is of Mayuki dancing to some music, making up her own choreography. That’s something she does quite a lot.

  • Making it Real

    As anyone who has ever created something knows, getting the idea, while essential, is not the hardest part, or at least not the part that requires the most work. Turning an idea into an actual creation is a major undertaking, and something that should also be central to this game. Actually, in some cases there…

  • Helping Creation

    The final part of my outline rules for coming up with ideas concerns ways that players can get more dice to roll. We’ve already covered some of these: I’ve said that good descriptions of actions will get additional dice. However, that’s a reward for player actions. I think we should also have character actions that…

  • Removing Obstacles

    My general mechanic for coming up with an idea includes rolls to reduce the difficulty of a statistic or to increase the number of dice available to roll. In this post, I’d like to look at what you should roll to reduce the difficulty, and how you should role-play it. First, a quick preliminary. I’m…

  • Creative Actions

    So, how do we go about describing the actions that characters take while trying to come up with ideas?  The first step is to think about the talents and abilities that characters will have scores in. We’re going to want different ones from most role-playing games, because our emphasis is different, and we probably don’t…

  • Hikawa Shrine

    A few weeks ago, I visited Hikawa Shrine, the Ichi-no-Miya of Musashi-no-Kuni. That sentence probably needs a bit of explanation. “Hikawa Shrine” is the name of the Shinto shrine I visited; there are several other shrines called that, but this is the main one, and it is located in Saitama City, the capital of Saitama…

  • Pretending to be Creative

    There is a fundamental problem with the roleplaying aspect of the rules for coming up with an idea. That is, in order to describe it, you have to come up with an idea. There is no way around this, but I think there are two approaches that can mitigate it. First, in pre-written scenarios, the…

  • Negative Evidence

    If you look around on the net, you can find a lot of anecdotes about how the Japanese exclude foreigners, along with generalised statements that don’t even include anecdotes to back them up. I’d like to provide some anecdotes on the other side. They’re still just anecdotes, and the vast majority are only significant because…

  • Paths to Ideas

    The combination of three statistics for every idea and path dependence for the process should ensure that players have to make important in-character decisions, and that those decisions will make a difference. However, the results of the die rolls should also make a difference. The players should not be able to map out their whole…